Shakespeare (莎士比亞)(大三及大四)

2013

(a) Characters’ Secrets Unveiled by Language in the Tragedy of King Lear by Li, Chia-Mei 厲嘉鎂
(b)
Power of Persuasion: A Rhetorical Analysis of Political Discourse in Julius Caesar by Christine Szu-Ting Chou 周思婷

2011

(a) The Phallic Women: The Power and Desires of Goneril and Regan in King Lear by 柳宗成
(b) The Functions of Mercutio in Romeo and Juliet by 游欣樺

2010

(a) Conflict between Kingship and Fatherhood in William Shakespeare's King Lear by 張婉儀
(b) Teen Disorder and Suicide in William Shakespeare's Romeo and Juliet by 鍾錦樑

2009

(a) The Folly of Praise: The Sapient Fool in William Shakespeare’s King Lear by 林佳楠
(b) Katherine's Rebellion, Repression and Resistance: Feminist Perspective of The Taming of the Shrew  by 黃俊凱

2007

(a) Brutus’ and Antony’s Critical Speeches in Julius Caesar by 許宛伶
(b) The Influential and the Influenced: The Plebeians in
       William Shakespeare’s The Tragedy of Julius Caesar
by 黃伊婷

 

Utopian Literature (烏托邦文學)(大三及大四)

2014

(a) Her: Dystopia in Disguise by Hannah Chen 陳筱涵

(b) The Misused Idealism: The Tragedy of Animal Farm by Chloe Hou 侯旻君

2013

(a) Beyond the Dream by Ya-ning Ke柯雅寧

2012

(a)  High into Sky (a dystopian short story) by 黃珮涵

2011

(a) The Lost Home (a utopian short story) by 鍾錦樑

2010

(a) A Breakdown of a Nostalgic Utopia in Gary Ross's "Pleasantville" by 黃于倩

 

Literary Criticism (文學批評) (大三及大四)

2014
(a)
The Archetypes in Harry Potter Series by 高詩芸 Monica Kao
(b)
Radical Feminism: Patriarchy in The Bride Price by Buchi Emecheta by 溫星茹 Stella Wen
(c) Brick Lane: Women’s Stimulating Journey to Self-Consciousness by 王書喬 Joanne Wang
(d)
Analyzing the Movie Snowpiercer by 洪明智

2012

(a) The Shifting of Power----the Post-Apartheid South Africa in “Disgrace" by 林怡德 Andrea Lin

2011

(a) The Reinforcement and Loss of Parallels in The Hours by 鄭閔文 Ming-Wen Cheng
(b)
From Personal Shame to National Shame—the Unspeakable Truth in "The Reader" by 林怡德 Andrea Lin

2010

(a) The Undead: The Interweaving Images of Birth and Death in "The Waste Land" by T.S. Eliot 
     
by  柳宗成
(b) A Mad Girl: The Oppression of Beauty in The Bluest Eye by 翁韋如

2009

(a) Desperate Feminism: the Ecriture Feminine in Disguise by 黃俊凱

2007

(a) An Unbreakable Colonial Cage in V.S. Naipaul’s A Bend in the River by 鐘儀
(b) Her Love and Hatred to Her Father: The Contradiction in Sylvia Plath's
     "Daddy"
by 黃伊婷

2006

(a) A Modern Tragic Hero by 許文馨
(b) Goodman Brown's Night Journey—Into the Mind by 任婷華
(c) A Decent House as a Decent Status for Women in
     Mary E. Wilkins' "The Revolt of 'Mother" by
蔡慧君
(d) The Tragedy of Dr. Jekyll: His Failure to Achieve Individuality by 王奕潔

 

Readings in Drama/Western Theatre (英美戲劇/西洋戲劇)(大二)

2011

(a) The Imagery of Coldness in The Mother of Us All by 晉羚莉

 

Approaches to Literature (文學作品導讀)(大一)

2014
(a)
The Controversy of Holocaust Metaphor in Sylvia Plath’s Daddy by 葉俁佟
(b)
Linda Pastan’s View towards Life by馬健賀
(c)
A Comparison between the Motherhood in “Daystar” and “To a Daughter
     Leaving Home”
by王齊禮
(d)
Going Deep into Dylan Thomas's Do Not Go Gentle into That
      Good Night
by 林宇彣

2013  

(a) What Exactly Has the Motorcycle Said in "What the Motorcycle Said"
    
  
by 柯斯瀚
(b) What I Visualize in Symphony in Yellow by 彭驊惠
(c) Brilliant Takeaway from Robert Frost’s “Fireflies in the Garden” by 余偲敏

2012

(a) The Intricate Affection of Sylvia Plath toward Her Beloved Father by 莊慧瑜

2011

(a) German Images in "Daddy" by 厲嘉鎂
(b) The "We" in Paul Laurence Dunbar's "We Wear the Mask" 郭哲維