Shakespeare (Junior & Senior)
2013
(a)
Characters’ Secrets Unveiled by Language in the Tragedy of King Lear
by
Li, Chia-Mei
(b)
Power of Persuasion: A Rhetorical Analysis of Political Discourse in Julius
Caesar by Christine
Szu-Ting
Chou
2011
(a)
The Phallic Women:
The
Power and Desires of Goneril and Regan in King Lear
by
Alexey Zong-Chen Liu
(b)
The Functions of Mercutio in Romeo and Juliet by Sharon Hsin-Hua Yu
2010
(a)
Conflict
between Kingship and Fatherhood in William Shakespeare's King Lear
by Chang, Wan-Yi
(b)
Teen Disorder and Suicide in William Shakespeare's Romeo and Juliet
by Ken Jin-liang Chung
2009
(a)
The
Folly of Praise:
The
Sapient Fool in William Shakespeare’s King Lear
by Ines
Chia-Nan
Lin
(b)
Katherine's Rebellion, Repression and Resistance: Feminist Perspective of The
Taming of the Shrew
by Jung-Kai Huang
2007
(a)
Brutus’ and Antony’s Critical Speeches in Julius Caesar
by
Wan-Lin Hsu
(b)
The Influential and the Influenced:
The
Plebeians in
William Shakespeare’s The Tragedy of
Julius Caesar
by
Evelyn Y. Huang
Utopian Literature (Junior & Senior)
2014
(a) Her: Dystopia in Disguise by Hannah Chen
(b) The Misused Idealism: The Tragedy of Animal Farm by Chloe Hou
2013
(a) Beyond the Dream by Ya-ning Ke
2012
(a) High into Sky (a dystopian short story) by Huang, Pei-Han
2011
(a) The Lost Home (a utopian short story) by Ken Chung
2010
(a) A Breakdown of a Nostalgic Utopia in Gary Ross's "Pleasantville" by Huang, Yu-Chien
Literary Criticism (Junior & Senior)
2014
(a)
The Archetypes in Harry Potter Series
by
Monica Kao
(b)
Radical Feminism: Patriarchy in The Bride Price by Buchi Emecheta
by
Stella Wen
(c)
Brick Lane:
Women’s Stimulating Journey to Self-Consciousness
by Shu-Chiao
(Joanne) Wang
(d)
Analyzing the Movie Snowpiercer by
洪明智 Mingji Hung
2012
(a) The Shifting of Power----the Post-Apartheid South Africa in “Disgrace" by Andrea Lin
2011
(a)
The
Reinforcement and Loss of Parallels in The Hours by
Ming-Wen Cheng
(b)
From Personal Shame to National
Shame--the
Unspeakable Truth in "The Reader"
by
Adrean Yi-De Lin
2010
(a)
The Undead: The Interweaving Images of Birth and Death in "The Waste Land" by
T.S. Eliot
by Alexey Zong-Cheng Liu
(b)
A Mad Girl: The
Oppression of Beauty in The Bluest Eye
by Wong, Wei-Ru
2009
(a) Desperate Feminism: the Ecriture Feminine in Disguise by Huang, Jung-Kai
2007
(a)
An Unbreakable Colonial Cage in V.S. Naipaul’s A Bend in the River
by Yi, Chung
(b)
Her Love and Hatred to Her Father: The Contradiction in Sylvia Plath's
"Daddy"
by
Evelyn Y. Huang
2006
(a)
A
Modern Tragic Hero
by Hsu, Wen-Hsin
(b)
Goodman Brown's
Night Journey—Into the Mind
by Ren, Ting-Hua
(c)
A Decent
House as a Decent Status for Women in
Mary E.
Wilkins'
"The Revolt of 'Mother"
by Cai, Hui-Jun
(d)
The Tragedy of Dr. Jekyll: His Failure to Achieve
Individuality
by
Wang, Yi-Jie
Reading in Drama (Sophomore)
2011
(a) The Imagery of Coldness in The Mother of Us All by Chin, Ling-Li
Approaches to Literature (Freshman)
2014
(a)
The Controversy of Holocaust Metaphor in Sylvia Plath’s Daddy by Yu-tung
Yeh
(b)
Linda Pastan’s View towards Life
by
Jian-he Ma
(c)
A Comparison between the
Motherhood in “Daystar” and “To a Daughter
Leaving Home”
by
Chi-li
Wang
(d)
Going Deep into Dylan Thomas's Do Not Go Gentle into That
Good Night
by
Lin Yu-wen
2013
(a)
What Exactly Has the Motorcycle Said in "What the Motorcycle
Said"
by
Si-Han Ko
(b)
What I Visualize in Symphony in Yellow
by
Hua-hui Peng
(c)
Brilliant Takeaway from Robert Frost’s “Fireflies in the Garden” by Jee
Si-Min
2012
(a) The Intricate Affection of Sylvia Plath toward Her Beloved Father by Hui-Yu Chuang
2011
(a)
German Images in
"Daddy"
by Li, Chia-Mei
(b)
The "We" in Paul Laurence Dunbar's "We Wear the Mask" Kuo, Che-Wei